In recent years, there has been a delightful resurgence of horseback riding within the African American community, echoing the rich heritage of Black equestrians. This revival is not only a celebration of a beloved pastime but also a homage to the trailblazing Black equestrians who have long been deserving of recognition. As we celebrate these young and established figures, it’s essential to acknowledge the profound connection between Black equestrians and Black farmers, who have historically played a pivotal role in this community. The relationship between Black farmers and their horses holds a captivating history, one that deserves global acknowledgment and admiration. Today, the influence of Black farmers continues to shape and inspire the world of equestrianism, highlighting their enduring legacy and contribution to this timeless tradition.

Numerous African American writers have delved into the equestrian culture within their novels. Among them is Ntozake Shange ( October 18, 1948-October 27, 2018), an American author renowned for her work “Daddy Says” (Simon and Schuster, 2003). Shange’s novel intricately navigates the realm of Black equestrianism against a backdrop of familial strife.

Each month “The Reading Quilt” provides a short review of a book that a teacher may use to spark conversations about culture and race, along with a learning activity that may help students understand human behavior. Using the acronym QUILT, the review offers readers information about the Quality of writing, Universal theme, Imaginative plot, a mini Lesson plan, and Talking points that stem from the book’s premise. This month’s selection is a book titled “Daddy Says” written by Ntozake Shange (Simon and Schuster, 2003).

Image: Ntozake Shange (Barnard College; digitally restored by Chris Woodrich, CC BY-SA 3.0, via Wikimedia Commons)

Ntozake Shange (pronounced en·tuh·zaa·kee shaang·gay) was born on October 18, 1948, in Trenton, New Jersey in an upper-middle-class home. Shange, formerly named Paulette Linda Williams died on October 27, 2018, in Bowie, Maryland. During her career, Shange was a playwright, poet, and novelist who is best known for her compelling theater production of multiple art forms like poetry, dance, and music titled “For colored girls who have considered suicide / when the rainbow is enuf).” The play, in which Shange coined a new word choreopoem to describe its form, brings to life the stories of seven women who endure conflicts and setbacks in a racist and sexist society. This play, which won an Obie award, was just one expression of Shange’s that underscored her life as a Black feminist

Quality of Writing: Shange’s prowess as a writer shines brilliantly through her ability to intricately weave the tapestry of her narratives, elevating characters like Twanda to a level where their presence transcends the mere confines of storytelling. Through Shange’s imaginative writing, we meet Twanda who emerges not just as a character, but as a vibrant force, her memory as vivid and palpable as that of any living being within the story. Through Shange’s deft penmanship, Twanda strides onto the page as a high-spirited equestrian, her passion for horses matched only by her fearlessness in the face of danger. Whether navigating the erratic antics of unruly steeds or embracing the thrill of close calls, Twanda emerges as a daring risk-taker, a figure who thrives amidst the adrenaline rush of life’s challenges. In crafting such a compelling portrayal, Shange showcases her mastery in creating characters that linger in the minds of readers long after the final page has been turned.

Universal Theme: In her novel, the relationship between mother and daughter is the most complicated one ever studied. At the core of the complication is the idea that a father of one generation is trying to raise girls who need to successfully exist in a generation vastly different from his own. To make matters worse, Twanda, the children’s mother has passed away leaving a legacy that the sisters are afraid to celebrate in their father’s presence. Generational differences coupled with hormones, and unresolved hurt feelings, are a combination for disaster.

Imaginative Plot: Shange’s novel has several cumbersome relationships that a young preteen will need to dissect. First, there is the sisterly relationship between sisters Annie Sharon and Lucie-Marie which is often compromised by Annie Sharon’s lack of patience for Lucie-Marie’s vulnerability and naivety. Second, there is the relationship that each girl has with her father and the father’s new girlfriend. Third, there is the relationship between the father and his new girlfriend who is slowly encroaching on the deceased mother’s legacy, according to the sisters. Most prominent is the volatile relationship the sisters have with their dead mother’s legacy.

Lesson Plan: The significance and enduring legacy of Black farm life intertwined with horses and equestrian culture illuminate a rich tapestry of history often overshadowed by mainstream narratives. For generations, Black communities have cultivated a deep connection with horses, rooted in agricultural traditions and labor, showcasing resilience, skill, and reverence for these majestic animals. From the days of slavery, where Black individuals played pivotal roles in tending to horses on plantations, to the present day, where Black equestrians excel in various disciplines, this heritage is a testament to the enduring spirit of Black joy and excellence. Recognizing Black people’s contributions to equestrianism expands the narrative of sports and hobbies beyond stereotypes, highlighting diverse passions and talents that deserve appreciation and celebration. It underscores the importance of acknowledging and uplifting Black narratives across all facets of life, enriching our understanding of history and culture while fostering inclusivity and representation in equestrian communities worldwide.

Talking Points: After discussing the points below, the students could research little-known African American farmers, equestrians, Polo Players, cowboys, or jockeys to gain a greater understanding of the unique communities in which each group lived. A few names (from the past and present) that deserve recognition in this culture are Kareem Rosser, Oliver Lewis, Cheryl White, Lewis Tillman Sr., X, and Karen Washington).

Black farm life and equestrian culture: An overlooked narrative in mainstream history
Historical roots: Deep connection between Black communities and horses dating back to slavery
Resilience and skill: Black individuals’ pivotal roles in tending to horses on plantations
Enduring legacy: From agricultural traditions to present-day excellence in equestrian disciplines
Representation and diversity: Highlighting Black contributions expands narrative beyond stereotypes
Who are the Concrete Cowboys?: Upholding Black narratives enriches understanding of history and culture

Dr. R. A. Slaughter’s (Doc) textbooks Turning the Page: The Ultimate Guide for Teachers to Multicultural Literature, and Turning the Page: A Guide to Securing Multicultural Literature for Schools, both published by Rowman & Littlefield and available in all bookstores, have brought Doc global recognition. Doc’s lecture on “Beating the Book Ban” is often met with standing ovations. For more information, log onto DrRachelSlaughter.info or check out “The Reading Quilt ” talk show, every Monday, at 3:30 pm on Philly Cam.